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To see real time reports on LRA activity in the D.R.Congo, Central African Republic and South Sudan visit: http://www.lracrisistracker.com/ To learn more about Invisible Children's recovery efforts in the post-conflict regions of northern Uganda AND our work with communities currently affected in D.R.Congo, Central African Republic and South Sudan visit: http://www.invisiblechildren.com/programs.html To view our response to common critiques to the KONY 2012 film and campaign visit: http://www.invisiblechildren.com/critiques.html To see our worldwide youth mobilization initiatives: http://www.invisiblechildren.com/movement.html Learn More: http://kony2012.com Donate to Invisible Children: https://stayclassy.org/checkout/set-donation?eid=14711 For official MEDIA and artist REPRESENTATION ONLY: PR@invisiblechildren.com DIRECTOR: Jason Russell LEAD EDITOR: Kathryn Lang EDITORS: Kevin Trout, Jay Salbert, Jesse Eslinger LEAD ANIMATOR: Chad Clendinen ANIMATOR: Jesse Eslinger 3-D MODELING: Victor Soto VISUAL EFFECTS: Chris Hop WRITERS: Jason Russell, Jedidiah Jenkins, Kathryn Lang, Danica Russell, Ben Keesey, Azy Groth PRODUCERS: Kimmy Vandivort, Heather Longerbeam, Chad Clendinen, Noelle Jouglet ORIGINAL SCORES: Joel P. West SOUND MIX: Stephen Grubbs, Mark Friedgen, Smart Post Sound COLOR: Damian Pelphrey, Company 3 CINEMATOGRAPHY: Jason Russell, Bobby Bailey, Laren Poole, Gavin Kelly, Chad Clendinen, Kevin Trout, Jay Salbert, Shannon Lynch, Mariana Blanco, Laurence Vannicelli PRODUCTION ASSISTANT: Jaime Landsverk LEAD DESIGNER: Tyler Fordham DESIGNERS: Chadwick Gantes, Stephen Witmer MUSIC CREDIT: Original Instrumental Scores by Joel P. West http://www.joelpwest.com/ “02 Ghosts I” Performed by Nine Inch Nails, Written by Atticus Ross and Trent Reznor, Produced by Alan Moulder, Atticus Ross, and Trent Reznor, Nine Inch Nails appear courtesy of The Null Corporation “Punching in a Dream”, Performed by The Naked and Famous, Written by Aaron Short, Alisa Xayalith, and Thom Powers, Produced by Thom Powers, The Naked and Famous appear courtesy of Somewhat Damaged and Universal Republic “Arrival of the Birds”, Performed by The Cinematic Orchestra, Written by The Cinematic Orchestra, Produced by The Cinematic Orchestra, The Cinematic Orchestra appears courtesy of Disney Records “Roll Away Your Stone”, Performed by Mumford and Sons, Written by Benjamin Lovett, Edward Dwane, Marcus Mumford, and Winston Marshall, Produced by Markus Dravs, Mumford and Sons appear courtesy of Glassnote Entertainment Group LLC “On (Instrumental)”, Performed by Bloc Party Written by Bloc Party, Produced by Jacknife Lee, Bloc Party appears courtesy of Vice Records “A Dream within a Dream”, Performed by The Glitch Mob, The Glitch Mob appears courtesy of Glass Air “I Can’t Stop”, Performed by Flux Pavilion, Flux Pavilion appears courtesy of Circus Records Limited

A Response to the Criticism of Kony 2012

March 07, 2012 by Christianne Squires in Activism, Peace in Congo

Most likely, you have heard about Kony 2012 by now. Yesterday this video link made the rounds on Twitter, and today I've seen it posted all day long on Facebook. News organizations and blogs have lit up with it, too, by now drawing attention to not only the video and the issue it presents, but also to a critical response the video and its organization, Invisible Children, have garnered.

Here is the place I'd recommend you start for an orientation to the critical response, which includes a lot of helpful links that you can follow for further orientation. Also, here is a point-by-point response to that critical response, written by a staff member of Invisible Children.

UPDATE: Invisible Children has released an official response to the criticism.

I am not affiliated with Invisible Children, nor do I support them financially. But those familiar with this space and my personal journey into nonviolence know that I have been concerned about the conflict in the Congo for some time, and I am personally thankful for the attention this issue has gained in the last 24-48 hours.

And really, I think that is the point.

I think about activism a lot because I maintain this space. I suppose when people learn that I care about, think about, pray about, and write about nonviolence, they think that means I'm an activist.

But I've realized over the last year or so that I'm not. At least, not at this point in time. I'm not going to be joining an international aid or humanitarian organization any time soon. I'm not going to move to a third-world or war-torn country. I'm not actively engaged in peacemaking activism in my hometown. And I very rarely write about global or current events in this space here.

Someday that all may change. But for the time being, that is the way it is.

And that's because I've learned -- slowly, slowly -- over the last few years who I am and what I'm created to do. I am a spiritual director with a pastor's heart and a priestly calling. I am still learning some of the practical realities of what that means, but in the bigger scope of things, it means I am concerned with the heart and with formation. That is my background. That is my training. That is my own story of healing and redemption. That is what I do with my life's work.

So when it comes to nonviolence, at least for the time being, I'm asking questions about the heart. I'm engaging people in the interiorities of their own hearts. I'm learning about the violence within and how it is overcome.

That is my contribution.

I accord Invisible Children the same respect. I say this because the main criticism I've heard about Invisible Children today is that they primarily make videos and raise awareness and advocacy, rather than help solve the actual problem. I've heard they don't know what it really will take to tackle this issue in Uganda, the Congo, and Sudan.

But I wouldn't want them to solve the actual problem. That's not what they're equipped to do. That's not who they are. They are communicators to a society of people who watch movies and care about global justice and who will use their voices to speak on behalf of it primarily through social media.

If Invisible Children succeeds in raising awareness about Joseph Kony (which it has) and provokes a democratic nation to speak up about their concern for this issue (which it has) so that those who do know the realities and complexities of this situation will hear that the issue has support and take appropriate steps in response (which only time will tell if it will), then I think they have done what they exist to do.

They are raising awareness to provoke a response that will impact policy. I'm reminded how necessary that awareness was in the Civil Rights and Vietnam eras -- when Americans saw the realities of Birmingham and Vietnam, they agitated.

Let us agitate now.

March 07, 2012 /Christianne Squires
Activism, Peace in Congo
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